Here is a list of “sweet surprises” that you need to expect (or at least be ready to) when you think that everything is over.
1. Parts of your painting became matt while others stay glossy (or even the whole painting became matt)
The left side is already varnished |
Cause
- too much turpentine or white spirit- bad gesso (primer) on the canvas
- the properties of some oil colors
My favorite retouching varnish by Talens |
Cure
- if it's a new painting - wait till it dries and cover it with a retouching varnish. You can continue to work on the painting and paint over the retouching varnish after it will dry- if the painting was done later than 1,5 years ago and it is completely done – use the finishing varnish. Why do you need to wait for so long? It’s the approximate time that gives the ability for every layer of paint to dry.
Bad idea: oiling the painting. It simply won’t help.
Tip
- never use super cheap canvases. The gesso on them is so bad that you'll end up struggling with it - it will suck all the juices from your oil (= all the oil from your paints)2. The painting yellowed
Photo by Sarah Murray Art Restoration & Conservation |
Cause
- unbleached linseed oil was used and the painting was stored in a dark place for a long time- bad varnish
Cure
- put it to the sunny place - close to the window is enough- (if the problem is with varnish) remove the upper layer and cover the painting with a new better varnish. I don’t recommend to do this without the help of professional
3. Craquelure – many small cracks
This effect is commonly used to make a painting look old |
Cause
- too much siccative (drying medium)- bad gesso (primer) on the canvas
- the painting was varnished before the layers of paint completely dried
- the next layers of paint were applied before the previous dried
- fluctuation in humidity and temperature
Cure
- visit a professional art restorer or pretend that craquelure was the part of your plan4. Dark dots on the painting
Cause
- the paint was thinned with pure oil (linseed) without the turpentineCure
- repaint those parts overTip
– some artists recommend to paint the first layer using pure turpentine as a thinner, even if on next layers you would use the “3 in one mixture” (turpentine + oil + varnish). By the way, I definitely need to write an article about the thinners5. Dust/oil/dirt over the painting
Photo by TheArtRestorer.com |
Cause
- storageCure
- wipe with a dry cloth. Do not push the canvas, be gentleIs there any cracks on the painting? Do not use water/soap. Go straight to the professional renovator. No cracks? Read what to do below.
- wipe the painting with a cloth soaked in water. If the painting has a relief (impasto) use a soft brush or even a soft toothbrush soaked in water
- use a cloth soaked in weak (soft) soap solute. But be aware - before you apply water or water-soap to the whole painting – test it on the small part
Tip
- better if you will use a white cloth to see immediately if it gets coloredBefore and after by Foreground Conservation and Decorative Arts They have an impressive works in portfolio |
Almost each of these mistakes can be prevented by using the right technology in process of painting so be mindful.
Next week – the article about thinners.
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